Her translations have also been published in journals such as the Paris Review, Asymptote, Latin American Literature Today, 3:am magazine, Nashville Review, MAKE, and Translation Review.A novel by Mónica Ojeda, trans. Sarah Booker Febru She is a literary translator working from Spanish to English and has translated, among others, Cristina Rivera Garza’s The Iliac Crest (Feminist Press, 2017 And Other Stories, 2018) and Grieving: Dispatches from a Wounded Country (Feminist Press, 2020) and Mónica Ojeda’s Jawbone (Coffee House Press, 2021). Sarah Booker (North Carolina, 1989) is a doctoral candidate at the University of North Carolina at Chapel Hill with a focus on contemporary Latin American narrative and translation studies. In 2017, she was included on the Bógota39 list of the best thirty-nine Latin American writers under forty, and in 2019, she received the Prince Claus Next Generation Award in honour of her outstanding literary achievements. Her stories have been published in the anthology Emergencias: Doce cuentos iberoamericanos (Candaya, 2014) and the collections Caninos (Editorial Turbina, 2017) and Las voladoras (Páginas de Espuma, 2020). Mónica Ojeda (Ecuador, 1988) is the author of the novels La desfiguración Silva (Premio Alba Narrativa, 2014), Nefando (Candaya, 2016), and Mandíbula (Candaya, 2018), as well as the poetry collections El ciclo de las piedras (Rastro de la Iguana, 2015) and Historia de la leche (Candaya, 2020).

Lovecraft, and anonymous ‘creepypastas’, Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.

Interweaving pop culture references and horror concepts drawn from Herman Melville, H. Each day she edges nearer to a total break with reality. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise? Fernanda and Annelise are so close they are practically sisters: a double image, inseparable.

La desfiguración Silva by Mónica Ojeda